I work on the National Portrait Gallery’s twentieth-century and contemporary collections, assisting period curators with collection research, exhibitions, displays and acquisitions, including contemporary commissions. I assist with changes to period hangs and curate temporary displays. I provide critical administrative support to the Curatorial Department and manage the Gallery research seminars. Recent displays and exhibitions that I have worked on include: Tacita Dean PORTRAIT (2018), One Unbroken Stream: Ingres to Auerbach (2018), Cézanne Portraits (see blog) (2017-18) and Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask (2017).
I studied a BA in History and French Studies at the University of Birmingham and completed the V&A and Royal College of Art MA in History of Design. Before joining the National Portrait Gallery’s curatorial team in September 2014, I completed a six-month internship at the Gallery as sixteenth-century curatorial intern. In this role, I supported the preparation of a collaborative exhibition on the Tudor monarchs, Les Tudors, with the Réunion des Musées Nationaux at the Musée du Luxembourg in Paris. I have worked at various museums and arts institutions including the London Jewish Cultural Centre, Ben Uri Gallery & Museum, The Barber Institute of Fine Art and Yad Vashem Holocaust Art Museum in Jerusalem.
My research interests are wide ranging and include using artefact-led approaches to understanding social history. My current research considers early twentieth-century Jewish material culture in relation to histories of design, nationalism and identity. Inspired by the 2017 National Portrait Gallery exhibition, I have also developed a keen interest in the work of French Surrealist, Claude Cahun.
‘Biographies of Sitters’ with Sarah Howgate in Tacita Dean: Landscape, Portrait, Still Life (London: Royal Academy of Arts, National Portrait Gallery and National Gallery, 2018), pp.222-224
Polyphonies, ed. by Tanya Bentley et al. (London: V&A/RCA, 2017)
'Claude Cahun and Gillian Wearing: Chronology' in Gillian Wearing and Claude Cahun: Behind the mask, another mask, ed. by Sarah Howgate (London: National Portrait Gallery, 2017), pp.188-199