Photograph of the Month
Past display archive
1 December 2014 - 24 February 2015
by Cecil Beaton
From 1916 to 1921 Sitwell and her brothers Osbert and Sacheverell published an annual anthology of modern verse called Wheels, edited by Edith; it collected their own poems and the work of young talents such as Nancy Cunard, Wilfred Owen and Aldous Huxley. Edith’s fame grew dramatically in 1923 when she gave a reading of her avant-garde poetry collection Façade (1922) using a megaphone and sitting behind a curtain; William Walton provided musical accompaniment. Noël Coward was said to have walked out, while Virginia Woolf sat 'dazed'. Later, an interest in English history led Sitwell to write books including Alexander Pope (1930), The English Eccentrics (1933), Victoria of England (1936) and a biography of Elizabeth I.
In the 1940s her poetry grew more poignant with works such as Street Songs (1942) and The Song of the Cold (1945) in which she denounced the suffering caused by the Second World War.
Beaton’s allegorical portrait shows Sitwell with a harp during one of the grand house parties staged at Renishaw Hall in the summer of 1930. She had just published her first work of prose, Alexander Pope, and the Collected Poems. Posed in front of one of the family’s tapestries; Beaton’s portrait makes reference to Sitwell's historical ancestry while the fantastical setting makes allusion to her unique sense of style. Beaton took various portraits of the poet and the Sitwell family. They were thrilled with the results, Edith writing: ‘I can’t simply tell you what excitement there is at Renishaw about the marvellous photographs – or what joy and gratitude. We are all, including mother, half off our heads with excitement…’
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